Like most fanatics, he didn't enjoy religion, he suffered from it.
I remember I preferred the soldier to the philosopher at the time; a preference which life has only confirmed. One was a man, and the other was either more—or less.
... that moment of evening when the light and the darkness are so evenly balanced that the constraint of day and the suspense of night neutralise each other, leaving absolute mental liberty. It is then that the plight of being alive becomes attenuated to its least possible dimensions.
There's something to be said for doing one thing right.
It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly, who errs … Continue reading Theodore Roosevelt (1858-1919), on Those Who Count ::
Lead the people with governmental measures and regulate them by law and punishment, and they will avoid wrongdoing but have no sense of honour and shame. Lead them with virtue and regulate them by the rules of propriety, and they will have a sense of shame and, moreover, set themselves right.
[To] hold that rulers and ministers act toward each other like father and son and consequently there will necessarily be orderly government, is to imply that there are no disorderly fathers and sons.
... repetitive music provides an acknowledgment, a warning, a defense -- or even just an aesthetic thrill -- in the face of myriad repetitive relationships that, in late-capitalist consumer society, we must all face over and over (and over and over ...). We repeated ourselves into this culture. We might be able to repeat ourselves out.
Masters of the very first order can be recognised by the following characteristic: in all matters great and small they know with perfect assurance how to find the end, whether it be the end of a melody or the end of a thought, whether it be the fifth act of a tragedy or the end … Continue reading Friedrich Nietszche (1844-1900), on Masters ::
I believe in roots, in associations, in backgrounds, in personal relationships. I want my music to be of use to people, to please them ... I do not write for posterity.
I can't listen to music too often. It affects your nerves, makes you want to say stupid nice things, and stroke the heads of people who could create such beauty while living in this vile hell.
Art is from the outset naturally not for the people. But one wants to force it to be. Everyone is supposed to have their say. For the new bliss consists of the right to speak: free speech! Oh God!
Do not be afraid of banality.
Here is the real core of the religious problem: Help! help!
Do you think gaudy colours can gloss over the misery of the world? Do you think loud orgies of good taste can drown the moans of the tortured earth? ... Art is the sacred torch that must shed its merciful light into all life's terrible depths, into every shameful and sorrowful abyss; art is the … Continue reading Thomas Mann (1875-1955), on the Purpose of Art ::