That only a few great rap albums have been released this year should not diminish the strident, unparalleled brilliance of Kendrick Lamar’s major label debut, good kid, m.A.A.d city. Lamar’s first LP, the independently released Section.80, was a violent rendering of his street-level LA environment and the many twisted channels navigated by its inhabitants in their search for gratification, redemption or both. Listening to Section.80, it seemed the … Continue reading Kendrick Lamar — good kid, m.A.A.d city ::