This scanned, uploaded zine would not have existed without Safdar Ahmed, an inspiring, emotive man who ran a workshop at the 2014 National Young Writers’ Festival in Newcastle, NSW, Australia.
I made it in the second hour of the two-hour session using this technique, which Safdar taught us, and its unselfconsciousness (a quality my writing usually lacks) owes a lot to his stories of the Refugee Art Project, and the examples he showed us of his own work, which was beautiful. (I strongly recommend his personal zine, The Good Son.)
Ashley Thomson 